
The Bride* Oil on canvas 152x152cm 1965 Not for Sale
The East, in particular Iraq, provided El-Said with a rich and vital source of inspiration. It was in Iraq where El-Said's roots and fondest memories were sewn. Predominantly, Issam's work was a profound expression of his Iraqi identity, cultural and religious heritage. This was reflected throughout, be in his graphic etching, paintings or indeed any other media which he explored and experimented with. Subjects rooted at the core of Iraqi tradition were to dominate his work e.g. the folkloric tales and story tellings, superstitions, amulets, the evil eye or indeed that derived from the religion; Islam, suffisim and the Arabic word be it calligraphy based on poetry or taken from the holy Quran. The vibrant colours which El-Said employed throughout a large body of his works reflected the spirit of the land of which he was so fond. Despite this however, it was inevitable that his works also reflected his darker more disturbing memories; that of a tragic family history and gruesome death.
Five Seated Women* Limited edition etching 45x62cm 1978 SOLD Collection of the British Museum
In a series of limited edition etching, El-Said depicted the Iraqi woman, serene, graceful and always in her abaya (a traditional black cloak worn by women and men). The abaya was however, never black in colour, but rather a sensational fusion of colourful and decorative motifs.
Seated Woman (detail) Limited edition etching 54x35cm 1982 IS031
At times these women are in groups, at other they are solitary; standing, sitting, waiting by a door entrance, a window or simply sitting on the floor in a traditional fashion. At other times they would be seen attending a special occasion such as a wedding, whereby they would be depicted playing musical instruments such as the Daf (Tambourine), Oud (Lute) or Dumbug (small drum) again, in traditional style. Although Issam El-Said's women always faced and engaged the viewer, they were nevertheless always faceless; remaining mysterious and at times, haunting.
 |  | The Tambourine* (detail) Limited edition etching 54x35cm 1982 IS025 | The Oud* (detail) Limited edition etching 54x35cm 1982 IS022 |
 |  | The Guest* (detail) Limited edition etching 54x35cm 1979 IS010 | At the Door* (detail) Limited edition etching 54x35cm 1979 IS009 |
Woman in Balcony Oil on wood 43x25cm 1969 IS 253 (SOLD)
 |  | | Seated Woman* Limited edition etching 40x30cm 1973 IS015 | Seated Woman* Limited edition etching 40x30cm 1973 IS017 | |
 |  | Visitors* Limited edition print 34x34cm 1973 IS013 SOLD
| The Image* Limited edition print 34x34cm 1973 IS016 SOLD
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Women with Watermellon (Hexagon) Oil on canvas 100x100cm 1964 IS252
At the Window* Limited edition etchig 40x30cm 1979 IS004

 |  |  | | | Noah's Ark (detail) Mono print 36x15cm IS177 |
 |  | Wal Najmu Itha Hawa* Limited edition print 30x30cm 1980 IS132 SOLD | Wal Najmu Itha Hawa* Limited edition print 30x30cm 1980 IS136 SOLD
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 |  | Tea Time Limited edition screen print 50x70cm IS301 | Scented Bukhour Limited edition screen print 50x70cm IS302 |
The displayed text/artwork (or variations of it) is featured in the book Issam El-Said: Artist and Scholar. To purchase the book or any of the artworks illustrated in this website (unless otherwise indicated) please contact us.
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